Here is a close up of one of the original chairs in the Queens bedroom. Bonnefoy du Plan oversaw the creation of the furniture pieces which featured carved and painted trellises, basketwork, floral forms and rustic garlands. The furniture is called “wheat-ear” furniture, so named for lily-of-the-valley, pine cones, and ears of wheat found in the design The third floor is known as the Mezzanine and was for the Queen’s staff. The room reminds me of classic Swedish Style. The Louis XVI furniture is known as the basis to much of the Gustavian style.
The comparison between the relatively modest room of the queen at the Petit Trianon and the royal apartments of the Palace of Versailles is striking. The small dimensions of the bed of the queen in her room at the Petit Trianon show well that here she lived as a single woman away off her royal husband.
It is known that Marie-Antoinette in her married life had known a humiliating experience. Louis XVI had been unable during 7 years to consummate the marriage. This was known in France as well from the royal courts of Europe.
The room is entirely authentic, the furniture of origin was found, repurchased and restored. It is refined furniture signed Georges Jacob. The clock of the Queen decorated with the two eagles of the house of Austria is back on its site.
Contiguous to this room is the cabinet “of the moving mirrors” who by means of a system of sliding slopes allowed the queen to shut her windows when she wanted to isolate herself
The Private Apartment of Queen Marie Antoinette From PingulnaMA On Flicker
In the fifteenth century, the ruins of Nero's Domus Aurea were discovered in Rome. The first explorers to enter the interior of this spectacular palace complex had the sensation of finding themselves in a series of grottoes, and this is why the fanciful frescoes and floor mosaics discovered there were called "grotesques." A fashionable form of ornamentation in ancient Rome, grotesques consist of loosely connected motifs, often incorporating human figures, birds, animals, and arranged around medallions filled with painted scenes. Fifteenth-century artists such as Perugino, Signorelli, Filippino Lippi, Mantegna copied the ancient Roman examples; the most famous use of the style was Raphael's Loggie in the Vatican Palace, which became immensely famous and influential all over Europe. This magnificently illustrated book covers the entire history of the grotesque in European art, from its Roman origins through the Renaissance to the late nineteenth century. It illuminates how grotesque decoration was transformed in the seventeenth and eighteenth centuries into arabesque, chinoiserie, and singeries, and how it continued in the nineteenth century, leading eventually to Art Nouveau. 250 color illustrations.































